課程資訊
課程名稱
跨太平洋研究
Transpacific Studies 
開課學期
112-2 
授課對象
文學院  外國語文學研究所  
授課教師
柏逸嘉 
課號
FL7358 
課程識別碼
122EM4060 
班次
 
學分
3.0 
全/半年
半年 
必/選修
選修 
上課時間
星期四2,3,4(9:10~12:10) 
上課地點
外研三 
備註
本課程以英語授課。第一、三類。
限碩士班以上
總人數上限:12人 
 
課程簡介影片
 
核心能力關聯
核心能力與課程規劃關聯圖
課程大綱
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課程概述

What is transpacific studies? How might it align with or extend related interdisciplinary fields of inquiry such as Asian American studies, postcolonial studies, environmental humanities, Indigenous studies, and Taiwan studies? What new perspectives might transpacific approaches help to produce about histories and cultures within and across Pacific spaces? What role(s) might cultural producers and cultural critics (including those of us in Taiwan) play to extend our understanding of this emerging field?

In this graduate seminar, we will approach these questions by considering transpacific studies as an unsettled and contested field that began to take shape in a moment marked by large-scale initiatives such as the proposed (and abandoned) Trans-Pacific Partnership and its successor the Comprehensive and Progressive Agreement for Trans-Pacific Partnership. In our investigation, transpacific studies will address some of the implications of these state-directed initiatives, but our focus will not be limited to them. Instead, our goal will be to attend to the ways non-state actors including theorists, cultural critics, teachers, filmmakers, and creative writers have attempted to reimagine and rearticulate relations—including Indigenous-settler relations and Indigenous-Indigenous relations—in seemingly scattered Pacific sites. These sites will include Taiwan, Hawai‘i, Guåhan/Guam, Banaba/Ocean Island, Kanaky/New Caledonia, and other Pacific Islands. Needless to say, these are not the only sites worth investigating, but they will provide opportunities for us to focus our discussion and develop our responses to some key critical and cultural texts.

This seminar welcomes students who are curious about developments in transpacific studies. No prior knowledge of this field is expected or required. Students will however be expected to read widely across interdisciplinary debates, to reflect upon previously held commonsense ideas, and to write regularly about the course texts. As the issues under investigation in this seminar are still unfolding, we may add additional relevant reading materials or other cultural texts as they become available.

Please note: The week-by-week schedule posted below is subject to change as the instructor continues to fine-tune the syllabus. It does indicate the general direction of this seminar although be aware it may be adjusted as new materials become available.

If you are interested in this course and are having trouble registering, please write to the instructor at: guy@ntu.edu.tw 

課程目標
As noted above. 
課程要求
Attendance and participation 10%
Writing exercise 10%
Term paper proposal 10%
Five critical responses 30%
Term paper 40%

Total: 100%  
預期每週課後學習時數
 
Office Hours
 
指定閱讀
All required texts for this graduate seminar will be available as handouts or as part of a course package except the films, which will be sceened in class and which are also available in the Taiwan Indigenous Peoples Resource Center. These texts will likely include:

∙ Tongues of Heaven, directed by Anita Wen-Shin Chang et al. (2013)
∙ Craig Santos Perez, from Unincorporated Territory [guma] (2014)
∙ Teresia Kieuea Teaiwa, Searching for Nei Nim’anoa (1995)
∙ Ça Fait Si Longtemps, directed by Laha Mebow (2017)
∙ Plus assorted articles and book chapters indicated in the schedule

Please note that these texts are subject to change as the instructor fine-tunes the syllabus. 
參考書目
Students who are interested in this seminar should note the following:

∙ Regular attendance and participation are important to make this a successful seminar and will affect your performance and final grade.
∙ Students who are in the Graduate Institute of Foreign Languages and Literatures or are majoring or minoring in DFLL or English will be expected to follow MLA Handbook guidelines in their work (9th edition guidelines—see the Handbook or the Purdue OWL website for details); other students should speak to me about citation guidelines.
∙ I will not be able to provide a make-up writing exercise or extend deadlines unless you have or we have valid proof about an uncontrollable situation (such as illness, a family emergency, or changes in the coronavirus situation).
∙ Some of the ideas and texts in this seminar may be challenging, ranging across various disciplinary debates and geographical sites. For this seminar to be successful, I need to ask each of you to be patient, respectful, and open to new ideas and perspectives. Our goal will not be to “master” these ideas and stories produced across vast Pacific spaces but instead to learn to address them as thoughtfully and ethically as we can. 
評量方式
(僅供參考)
   
課程進度
週次
日期
單元主題
Week 1
  Introduction to course objectives 
Week 2
  Framing key debates: Viet Thanh Nguyen and Janet Hoskins, “Introduction” to Transpacific Studies: Framing an Emerging Field (2014) 
Week 3
  Writing exercise 
Week 4
  Oceanic imaginings I: Epeli Hau‘ofa, “Our Sea of Islands” and “The Ocean in Us” from We Are the Ocean (2008); Erin Suzuki, Introduction to Ocean Passages (2021) 
Week 5
  Oceanic imaginings II: Terence Wesley-Smith, “Rethinking Pacific Studies Twenty Years On” (2016); Lewis Mayo, “Outermost Oceania? Taiwan and the Modalities of Pacific History” (2021) 
Week 6
  Feminist interventions: Anita Chang, “In the Realm of the Indigenous: Local, National, and Global Articulations in Fishing Luck” (2009); Anita Chang, “Digital Documentary Praxis” from Third Digital Documentary (2020); critical response #1 due 
Week 7
  Class cancelled (national holiday) 
Week 8
  Articulating Taiwan and Hawai‘i: Douglas McNaught, “The State of the Nation: Contemporary Issues in Indigenous Language Education in Taiwan” (2021); screening and discussion of Tongues of Heaven, directed by Anita Wen-Shin Chang, An-Chi Chen, Kainoa Kaupu, Hau‘oli Waiau, and Shin-Lan Yu (2013) 
Week 9
  Militarized currents: Setsu Shigematsu and Keith Camacho, “Introduction” to Militarized Currents (2010); Keith Camacho, “Loyalty and Liberation” from Cultures of Commemoration (2011); critical response #2 due 
Week 10
  A Poetics of Guåhan/Guam: Craig Santos Perez, “Preface” to from Unincorporated Territory [hacha] (2008); Craig Santos Perez, from Unincorporated Territory [guma] (2014) 
Week 11
  Rethinking extraction: Katerina Martina Teaiwa, Excerpts from Consuming Ocean Island: Stories of People and Phosphate from Banaba (2015); Teresia Teaiwa, “Yaqona/Yagoqu: Roots and Routes of Displaced Native” (1998); critical response #3 due 
Week 12
  On roots and routes: Teresia Kieuea Teaiwa, Searching for Nei Nim’anoa (1995) 
Week 13
  Term paper proposals; critical response #4 due 
Week 14
  Indigenous globalization: Tracey Banivanua Mar, from Decolonisation and the Pacific: Indigenous Globalisation and the Ends of Empire (2016); plus “Review Forum” from the Journal of Pacific History (2016) 
Week 15
  Articulating the Pacific: Screening and discussion of Ça Fait Si Longtemps, directed by Laha Mebow (2017); critical response #5 due 
Week 16
  Wrap-up; term paper due